.ក្បាច់ភ្ញីភ្លើង Kbach Phni Pleung

The basic form of Kbach Phni Pleung is said to derive from the shape of tongues of flame in a brightly burning fire. These flames are “improved”, or stylised, into an ornamental form characterised by a small base, thicker middle, and flickering rip.

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ក្បាច់ភ្ញីភ្លើងក្នុងទំរង់ត្របកឈូកចំហៀង ឬកន្ទុយហង្សor a tangent tattoo

Figures 101-104 show examples of the shape of the lotus petal seen from the side (or the mythical goose tail shape) divided _as Kbach Phni Pleung. The overall shape is outlined (101) and then internally divided (102-104). In this example, the ornament has been drawn freehand with no guides.

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ក្បាច់ភ្ញីភ្លើងក្នុងទំរង់ផ្កា ក្រពុំនិងផ្ការីក

The bud in Kbach Phni Pleung is initially drawn in a manner similar to the bud in Phni Tes (142). The top of the bud is adjusted to waver or flicker like :1 flame (143). In Figure 144, a central spine is added, while figure 145 shows the process of c/zaik. Figure 146 shows the addition ofa sheath, or xratoeb, on the right side of the bud.

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ក្បាច់ភ្ញីអង្គរ​ kbach phnni angkor

Figure 141 offers another possible division in which the details of the round center are adjusted to fit the degree or division in the surrounding petals. Figures 142 and 143 cannot really be called Chan flower shapes anymore since the Chan flower shape requires :1 round center surrounded by petals. The examples offered in figures 141 and 145 can instead perhaps be called square shapes divided as Kbnch Angkor.

រូបភាព 141 ផ្តល់លទ្ធភាពមួយទៀត ផ្នែកដែលពត៌មានលំអិតនៃជុំនេះ កណ្តាលត្រូវបានលៃតម្រូវដើម្បីកំណត់សញ្ញាប័ត្រឬ ការបែងចែកនៅក្នុងបំពង់ជុំវិញ។ តួលេខ 142 និង 143 ពិតជាមិនអាចត្រូវបានគេហៅថាចាន់ទេ រូបរាងមិនមានទៀតទេចាប់តាំងពីចាន់ រូបរាងផ្កាត្រូវការ: 1 ព័ទ្ធជុំវិញដោយផ្កាកុលាប។ ឧទាហរណ៍ ផ្តល់ជូនលេខ 141 និង 145 អាចជំនួសបាន ប្រហែលជាត្រូវបានគេហៅថារាងរាងការ៉េបែងចែកជា Kbnch អង្គរ។

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